yblokkfoto.no

During this pandemic, the Norwegian state is demolishing the Y-blokk, a late-modernist government building that has been a key part of Oslo since 1970. In spite of widespread protests, this unique building – chosen as one of Europe’s seven most endangered cultural monuments by Europa Nostra and the European Investment Bank Institute – is being destroyed.  Oslo is the most pandemic-stricken place in all of Norway. With cultural institutions closed, bans on gatherings, and the media in pandemic mode, this assault against the city is not being given as much attention as it would do in more normal times. This is why photographer Adrian Bugge has taken the matter into his own hands and is photographing the destruction of this unique building as it happens.

The project began as an ongoing photo documentation on this website (scroll down for archive of photos) while the building was demolished in 2020 - 2021 and in the autumn of 2021 the photo book Y. The building that disappeared was launched by the art book publisher Uten tittel (Not Yet Titled Press)

Skjermbilde 2021-05-14 kl. 09.47.17.png

The photo book Y. The building that disappeared


ISBN 978-82-93502-35-7

The Y-block, the late modernist government building designed by architect Erling Viksjø with integrated art by Carl Nesjar and Pablo Picasso, has been a central part of Oslo since 1970. But within a year, everything had disappeared. Adrian Bugge's photographs document how the unique building in natural concrete was demolished bit by bit. The cause and what was lost are discussed in texts by Bjarne Asp, Hans Petter Blad, Adrian Bugge, Marte Storhaug Danbolt, Ola H. Fjeldheim, Mari Viksjø Grøstad, Kjetil Ansgar Jakobsen, Ellen de Vibe and Hanne Åmli.

Read more about the book in the review at Design Emergency

For inquiries about purchases outside norway, contact the publisher Uten Tittel (Not Yet Titled Press)

... in Design Emergency’s Pick of the Week, a book that documents their destruction and the impact of such a loss on Oslo in a year of photographs taken by Adrian Bugge, starting on 2 March 2020, and in essays written by Osloites that miss it. The outcome is a poignant tribute to the Y-block and Highrise and a chilling warning of how the same fate could easily befall other beloved, but vulnerable modernist buildings.
— Design Emergency @design.emergency
 

A digital protest exhibition

The project began as an ongoing photo documentation on this website in the form of a digital protest exhibition. Read a review in the Nordic journal of contemporary art Kunstkritikk International edition (in english)


 
 

Archive with the texts and selected photos from the block photo as it was while the demolition was going on:

y-blokka-aksjon_adrian_bugge.jpg

March 4th 2020. Before the pandemic:
This is from an arragment organized by Save Oslo's Y-block with mural by Picasso. Photo: Adrian Bugge

Leave Y alone!

For my part, my interest in the Y-blokk started long before the decision was taken to demolish it. Back in 2011 I photographed a man who was taking a break in the sunshine in front of the former Deichman library, with the Y-blokk and Høyblokk in the background. The photograph exhibits a moment of calm before the government quarter was blown up just a few short months later.

The Y-blokk is more than just a building renowned for its particular architecture and the great value of its integrated art. It is also a symbol of a period of stability in Norwegian post-war history. The pandemic that has now struck us, however, is giving rise to uncertainty and putting the welfare state to the test more than ever before.  

At the very least, the government should put the demolition on hold until the outcome of the forthcoming court case against the state is decided. The campaign in support of saving the Y-blokk, the National Association of Norwegian Architects, the National Trust of Norway and Oslo Architects Association have been working together to put a halt to the demolition. Unfortunately, their application for a temporary court injunction was not upheld. On 7 April 2020, Oslo City Court gave Statsbygg the all-clear to begin demolition. With that, the dismantling of the integrated artworks will begin as early as April. If the court case comes up in the autumn, it will already be too late. 

Before the 22 July terror attack in 2011, the building was on the verge of being granted protected status – but in its aftermath the process was stopped. In approaching the construction of a new government quarter, I think that greater account should have been taken of the artistic and historical value of the Y-blokk and Høyblokk. Moreover, the demolition can be viewed as an extension of the socially devastating act of terror. In purely aesthetic terms, I do not believe that the notion of retaining the Høyblokk while demolishing the Y-blokk is good enough. It is wrong to hack away at ”Måken” and ”Fiskerne”, Y-blokk’s integrated artworks, in order to use them as decoration in the new government quarter. What was unique about the government quarter was that the edifices and the art of Viksjø’s buildings were one and the same.   

Adrian Bugge, Oslo, 19 April, 2020

With increasing international interest in new Norwegian architecture, I think that many around the world will be appalled and puzzled that my country is on the one hand creating, and on the other hand demolishing, regardless of the documented opposition of all the leading accademic communities. The Y-block, arguably the countrys’ most important late-modernist building, is a unique example of the collaboration between a renowned Norwegian architect, the country’s then leading artist and Pablo Picasso himself. The art is not used solely for decoration, it is an intergral part of a the spirit of the building. In sum, it speaks to the visions of modern Norway. To lose it would be tragic
— Adrian Bugge, Greyscape.com: www.greyscape.com/save-oslo-y-block/
Y-blokka-boring-2020-1.jpg

High and Y-block. Space in the sun, winter 2011. Photo: Adrian Bugge

 


The unique building

Both the Y-blokk and the Høyblokk are built in natural concrete, a material designed by the architect Erling Viksjø and civil engineer S. Jystad. Stones from Norwegian riverbeds were cast into the concrete and are shown in the unpainted, sandblasted surface of the facade and interior of both buildings. The artworks ”Måken” in the foyer and ”Fiskerne” on the wall facing Akersgata are also in sandblasted natural concrete. They are based on drawings by Pablo Picasso after an idea by Viksjø and the Norwegian artist Carl Nesjar, who was responsible for the technical workmanship.

The windowless end walls of the Høyblokk are also adorned with sandblasted reliefs. These are Viksjø’s own designs. Within the Høyblokk there are a number of sandblasted artworks produced according to drawings by Carl Nesjar, Kai Fjell, Tore Haaland, Inger Sitter, Odd Tandberg and Pablo Picasso. In addition, both buildings are replete with ornamental art designed by Viksjø. 

Concrete has a hard, grey appearance that is not liked by everyone. But within the natural concrete, Viksjø has blended the cement with Norwegian nature. At a close range, river stones are clearly visible. The National Trust of Norway has compiled Natural concrete – Is it possible to love?, a presentation that is available online. (in Norwegian, but with pictures)

Unfortunately there are no interior photographs of the Y-blokk here at Yblokkfoto.no. This is because Statsbygg has not granted permission for photography inside the building, but pictures from the interior are available to view in the National Museum’s presentation Y-block: Art and architecture in inseparable interaction (in english)

Y-blokka-adrian_bugge-1-2.jpg

Naturbetong (Natural concrete), 2020. Close-up of the facade on Høyblokka. The Y-block was fenced when the photo was taken and not available for close-up photography, but has and similar surface. Photo: Adrian Bugge 2020.

 


The government quarter

The government quarter consisted of a number of buildings in the squares at Akersgata and Grubbegata in central Oslo.

During the 22 July 2011 terror attack, several of the buildings were so badly damaged that the decision was taken to build a new government quarter on the same site. Many of the buildings have already been demolished, but protests resulted in the Høyblokk (originally called the H-blokk) being saved, while as a compromise it was decided that the Y-blokk, which suffered less severe damage, would be demolished. Read more about the area with a historical review of the government’s plans for the government quarter (initially in Norwegian, but the texts can be read in English)

Y-blokka-adrian_bugge-1-3.jpg

The government quarter viewed from the balcony of the now closed Deichman central library in 2014. The picture shows Arne Garborgs plass (covering the Ring 1 road, which passes underneath the Y-blokk) with the Y-blokk’s northern wing to the other side of the Deichman. The Høyblokk can be seen behind it. Behind the Høyblokk, to the left, the helipad  of the Ministry of Petroleum and Energy, now demolished, can be seen, while to the right is the former G-blokk, which is being preserved. Photo: Adrian Bugge


About yblokkfoto.no

Since most exhibition spaces are closed due to the pandemic and the demolition of the Y-blokk is not getting the attention from the media that it would have received in normal times, artist and photographer Adrian Bugge has established this website as a digital protest exhibition for the Y-blokk, which is also accessible to those who are unable to come out to see it for themselves.

Adrian Bugge made his debut at the Autumn Exhibition in 2007 and later showed his work at many regional, group, and solo exhibitions. His most recent solo exhibition was of images of Oslo’s urban development at Fotografiens Hus in Oslo in 2019, the same year he released the photography book Den nye byen/The new city through art book publisher Uten Tittel. He is a member of the arts organisations Forbundet Frie Fotografer (FFF) and Norske Billedkunstnere (NBK), and is executive director of the foundation Stiftelsen Bjørka (an artist-run production workshop for photography), where he also has a studio.

See more of Bugge’s projects at his website www.adrianbugge.no 

Kunstkritikk (Nordic journal of contemporary art) has also written a review of yblokkfoto.no:

Adrian Bugge’s digital protest exhibition against the demolition of the Y-blokka in Oslo transforms destruction into creative energy, and injustice into rebellion.
— Kunstkritikk (Nordic journal of contemporary art)

Links

The demolition plans have encountered huge public opposition and many professional circles at home and abroad have registered their objections. Yblokkfoto.no has collected a selection of links. This site is currently in Norwegian, but if you follow the links you can choose other languages on several pages. Links

See also the English website GrayScape coverage on the demolition of the Y-block, with selected images from yblokkfoto.no



letter from moma.jpg

Selected photos during the pandemic

Please note that this page is not updated as often as the Norwegian main page and are not in strict chronological order
©Yblokkfoto.no. Adrian Bugge 2020. Copyright all pictures: Adrian Bugge –no photographs to be used without permission.

28.03.2020: The Y-blokk with Picasso on the wall, fenced in and ready to be demolished. Photo: Adrian Bugge

 

11.04.2020: (Easter Eve): flower action or burial … Photo: Adrian Bugge

 
11.04.2020: (Easter Eve): flower action or burial (regards from the architect's family) … Photo: Adrian Bugge

11.04.2020: (Easter Eve): flower action or burial (regards from the architect's family) … Photo: Adrian Bugge

 

11.04.2020: (Easter Eve): flower action or burial. Photo: Adrian Bugge

 

22.04 Still intact on the outside, but inside the building preparations for demolition have begun.
(The Y-blokk with the memorial site for the bomb attack in the foreground) Photo: Adrian Bugge

 

22.04 Still intact on the outside, but inside the building preparations for demolition have begun.
(With the disputed highway going through the building). Photo: Adrian Bugge

 

17.04.2020: Silent, private protest. Photo: Adrian Bugge

 
17.04.2020: Silent, private protest. Photo: Adrian Bugge

17.04.2020: Silent, private protest. Photo: Adrian Bugge

 

17.04.2020: Silent, private protest. Guard threatens to report it as vandalism on public buildings. Photo: Adrian Bugge

 

28.04.2020: Demostrants with former director of the planning and building agency in Oslo, Ellen de Vibe who participates (at a reasonable distance to each other due to pandemic). The peaceful protesters, including de Vibe, was later arrested by the police. That the police intervene with peaceful protesters is very unusual in Norway. Photo: Adrian Bugge

 

28.04.2020: Demostrants with former director of the planning and building agency in Oslo, Ellen de Vibe who participates (at a reasonable distance to each other due to pandemic). The peaceful protesters, including de Vibe, was later arrested by the police. That the police intervene with peaceful protesters is very unusual in Norway. Photo: Adrian Bugge

 

28.04.2020: Demostrants with former director of the planning and building agency in Oslo, Ellen de Vibe who participates (at a reasonable distance to each other due to pandemic). The peaceful protesters, including de Vibe, was later arrested by the police. That the police intervene with peaceful protesters is very unusual in Norway. Photo: Adrian Bugge

 

28.04.2020: Demostrants with former director of the planning and building agency in Oslo, Ellen de Vibe who participates (at a reasonable distance to each other due to pandemic). The peaceful protesters, including de Vibe, was later arrested by the police. That the police intervene with peaceful protesters is very unusual in Norway. Photo: Adrian Bugge

 

23.04.2020: The Oslo City Council has received a majority to stop the demolition, but the government overrides the decision and demolition activity has increased. Photo: Adrian Bugge

 

27.04.2020: Demolition continues. Photo: Adrian Bugge

 

28.03.2020: The Y-blokk fenced in and ready to be demolished. The plan is to cut the Picasso wall loose, use it as decoration in the new government quarter and destroy the rest of the building. Art experts say this is meaningless because the art is an inseparable part of the building, made in a collaboration between architecture, art and engineering. Photo: Adrian Bugge

 

28.03.2020: The Y-blokk fenced in and ready to be demolished. The plan is to cut the Picasso wall loose, use it as decoration in the new government quarter and destroy the rest of the building. Art experts say this is meaningless because the art is an inseparable part of the building, made in a collaboration between architecture, art and engineering. Photo: Adrian Bugge

 

30.04.2020: Grief on the outside, demolition on the inside of the fence. Photo: Adrian Bugge

 

30.04.2020: Demolition on the inside of the fence. Photo: Adrian Bugge

 

30.04.2020: 30.04.2020: Grief on the outside of the fence. Photo: Adrian Bugge

1.5.2020: The building is cut up under the Piccaso wall, photographed through a hole in the fence. Photo: Adrian Bugge

1.5.2020: Art. Photo: Adrian Bugge

 

1.5.2020: 1. may Choir. Photo: Adrian Bugge

 

06.05.2020: If the demolition is not stopped, this night picture is probably yblokkfoto.no's last picture of Pablo Picasso "The fishermen" early in the morning was covered by a tarpaulin and the demolition machinery is clearly behind the fence. Photo: © Adrian BuggePhoto: Adrian Bugge

 

06.05.2020: Pablo Picasso "The fishermen" shows fishermen catching fish in a net, but now a yarn-like tarpaulin has catch the fishermen. Photo: Adrian Bugge

 

06.05.2020: (early evening). The wind takes the tarpaulin. Photo: Adrian Bugge

 

May 9: Several artists come with their works and Extinction Rebellion with The Red Brigade held appeal for sustainability

 

May 9: The nonviolent civil disobedience actions with art, performance, music and appeals took place long into the night

 

12. may. The protesters met in front of the parliament and formed a human link right up to the y-block before encircling the parliament. Several politicians from the opposition held appeals for the demolition to stop. The picture shows Petter Eide from SV, former head of Amnesty Norway.

 

The protesters met in front of the parliament and formed a human link right up to the y-block before encircling the parliament.

 

The protesters met in front of the parliament and formed a human link right up to the y-block before encircling the parliament.

 

May 14: While the public debate is raging, demolition work continues inside the building fence.

 

June 18, 2020: Projection and tent vigil. Photo © Adrian Bugge

 

June 18, 2020: The wall is supported to cut loose the artwork. Photo © Adrian Bugge

 

June 29, 2020: Last beam for the support frame is lifted into place. Now it's not long until the wall is cut loose. Photo © Adrian Bugge

July 7, 2020: Stop the demolition of the Y-block. Illegal protest action. Photo © Adrian Bugge

 

July 10, 2020: The first foundations for the stands have been cast. Photo © Adrian Bugge

 

July 11, 2020: This weekend the cutting of Fiskerne started, on Saturday night the upper part was detached from the building and here the left side is cut. Photo © Adrian Bugge

 

July 13, 2020: New piece cut out and will soon be removed with the crane. Photo © Adrian Bugge

 

July 14, 2020: New piece cut out and lifted away. Photo © Adrian Bugge

 

July 20, 2020: During the weekend, the wall with Fiskerne is cut completely loose from the rest of the building and rests on the stand. Today, no workers are to be seen, but after July 22, the final phase begins: to drive the more than 250-tonne construction past the July 22 memorial site to its resting place at the gray concrete foundations in front of the Y-block: Photo © Adrian Bugge

 

July 27, 2020 (evening): Large parts of the fence have been removed, but the transport units are still not in place under Fiskerne. The seagull (on the right) has been pushed out of the building. It was made inside the building and has never been outside before, which means that it cannot withstand rain and is wrapped. All indications are that this should move first. Photo © Adrian Bugge

 
July 20, 2020: During the weekend, the wall with Fiskerne is cut completely loose from the rest of the building and rests on the stand. Today, no workers are to be seen, but after July 22, the final phase begins: to drive the more than 250-tonne con…

July 20, 2020: During the weekend, the wall with Fiskerne is cut completely loose from the rest of the building and rests on the stand. Today, no workers are to be seen, but after July 22, the final phase begins: to drive the more than 250-tonne construction past the July 22 memorial site to its resting place at the gray concrete foundations in front of the Y-block: Photo © Adrian Bugge

 

July 28, 2020: “Måken “The seagull is ready to move. Photo © Adrian Bugge

 

July 28, 2020: "Måken"( The seagull) wrapped on the transport module at the foundation. Engineers and managers from the developer Statsbygg (in red / orange uniforms) follow the work. Photo © Adrian Bugge

 

July 28, 2020: "Måken" (The seagull) has moved. Photo © Adrian Bugge

Facts: The relocation of the Seagull and the Fishermen takes place in week 31. First the approximately 14-tonne “Måken”vThe Seagull is moved, then the 100-tonne “Fiskerne# The Fishermen (with the racks they weigh over 250 and 60 tonnes respectively) to their resting places on the other side of the government park. It is an engineeringly impressive, but poorly artistically justified operation. The works were sketched by Pablo Picasso and sandblasted directly into the plastered natural concrete facade by Norwegian artist Carl Nesjar, and were completely site-specific. Afterwards, the unique building will be demolished.

 

17 August 2020: The murals The Fishermen and The Seagull are caged in to be covered. After the weekend, the roof is already in place. Photo © Adrian Bugge

 

August 17, 2020: After thev murals has been moved, the demolition work has continued inside the building behind the covered window openings. At the roof over the three benches, they have so far started on the outer wall. Photo © Adrian Bugge


August 19, 2020: Bit by bit, the steel jaws bite into the natural concrete. Photo © Adrian Bugge

 

August 27, 2020 (evening): The sad result of today's intensified demolition. See photos of the violent process below and a video in the new video section. Photo © Adrian Bugge

 

31 August 2020: The wall with “Fiskerne” are wrapped up at the same time as the Y-block is demolished. The fishermen must be wrapped for at least 7 years. Photo © Adrian Bugge

 

September 1, 2020 (night): The shadow play at night reveals that work is done inside the building at all hours of the day. Watch dramatic video of work to remove the rebar here… Photo © Adrian Bugge

 

October 24, 2020: The Picasso murals The fishermen and the Seagull are the only things that Norwegian politicians would preserve, but separated from the building, they have lost their significance. Photo: Adrian Bugge

 

October 8, 2020. Ruins. The last of the building's three wings is demolished. Photo: Adrian Bugge

 

November 4, 2020. The last remnants of the Y-block's structure above the basement have been demolished. At the same time, Norwegian politicians are beginning to turn around and want to change their plans for the new government quarter. If one had decided now, the Y-block would not have been demolished. Photo: Adrian Bugge

 

February 2, 2020: View of the demolition site from the church tower. There is not much left of the Y-block now. Also not much to see from street level due to the fences. Therefore, there are less frequent updates here now, but in the spring I will publish a book with pictures from the demolition, many of which have not been published before. Photo: Adrian Bugge

 

 

Y-blokka, Akersgata 44, 0180 Oslo, Norway